
International Aerobatic Club uses FF DIN as the typeface for logos and branding.CBS Sports uses FF DIN as the typeface for television chyrons and scorekeeping.jetBlue Airways uses FF DIN Bold for its logo and corporate materials.
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The Swiss university ETH Zurich uses FF DIN Pro for posters, brochures and leaflets.Posters for the film The Wolf of Wall Street use FF DIN.FF DIN Condensed was formerly used as webfonts throughout the technology news site The Verge.Identity of the 2008 London Design Festival.The New York City Ballet logo uses FF DIN.FF DIN Round Pro also includes a Cyrillic character set for all weights. It provides additional information on both the design and the history of round sans serif typefaces. Assisted by Ivo Gabrowitsch of FontShop International, Albert-Jan Pool wrote a brochure named FF DIN Round – digital block letters. In summer 2010, FontFont introduced a completely new drawn round version called FF DIN Round, including five weights: light, regular, medium, bold, black. Alternate characters: single-storey italic 'a', round dots.Slanted form is an oblique, rather than a true italic.The geometric apostrophe with the bottom slant.Rounded/extended shoulder of the lower case r.


The entire family includes extended characters such as arrows, fractions, euro sign, lozenge, mathematical symbols, extra accented Latin letters, and superscript numeral figures. The family includes five font weights in two widths, normal and condensed, each with italics.

Albert also added weights.FF DIN looks as if DIN had always had those weights because Albert didn’t let his ego interfere with the job." He did it so well that it looks exactly like the original, but much better, especially in smaller sizes. Spiekermann wrote in 2009 that "Albert’s brief was to take the regular weight and subtly make it a good typeface. It includes ranging (old style) figures and several refinements that allow it to perform better as a print and screen text face. While based on the DIN 1451 standard lettering, FF DIN has additional weights and a far wider character set. At a 1994 meeting of the Association Typographique Internationale trade association in San Francisco, Pool encountered Erik Spiekermann, who encouraged him to design a revival of DIN 1451 for release by FontFont, the type foundry Spiekermann had just established.
